Navratri day 1 (Shailaputri/Pārvatī)

On the 1st day of Navratri let’s explore the significance of Jaganmaatha (Divine Mother) and why She comes as a daughter to Her devotees.

Shailaputri or Pārvatī (Parvata Raja Putri)

It’s impossible to define and explain the nature of a mother in mere words, and coming to the Divine Mother Herself, it’s an exploration of many lives and a never-ending journey dwelling in joy and content. The Divine Mother comes as a daughter to many of Her devotees. It’s to be understood that no matter how many times the Divine Mother takes abode as a daughter, it is always to glorify Her devotees and preserve Ḍharma. Many Devotees and Sages (Rishis) have worshiped and urged Her to be born as their daughter, like Brughu Maharshi, King Daksha, Katyayana Maharshi, and many more, but why? Because their devotion evolved to a state where they wished to express their affection to a physically manifested form of the Divine Mother and for the world to witness the divinity and so wished Her to manifest as their daughter. Hence, to the mountain king Himavat, She came as Himavati or Shailaputri, to King Janaka as Sita/Janaki, so sloka “dharmeNa tanayA tava”: meaning, Sita emerged from Earth before King Janaka and by Ḍharma she can be considered as Tanaya or Daughter and hence was called Janaki, to King Samudra as Śrī Lakṣmī, to Bhishmaka as Rukmini, to Akasaraja as Padmavati, to Katyayana Maharshi as Katyayani, or Bhrughu Maharshi as Bhargavi and so on, but She always seeks to unite as the consort of īśvara as His Śakti (Viṣṇuin case of Lakṣmī, and Shiva in case of Parvathi, and Brahmā in case of Sarasvatī). One important aspect of a father, which is very common in Sanatana Dharma, is to see one’s mother in his daughter, this is the reason for addressing one’s daughter as ‘ma’ or ‘talli’. It’s an inherent nature of a father to search for his mother’s qualities in one’s daughter because one’s mother is the pure embodiment of Soundarya(m) and Anunaya(m). This is the reason one should never think or speak ill of one’s mother. Our very physical existence is a blessing and is a part of one’s mother. She becomes that nourished womb where every element of Her body is shared to foster our growth. She goes through enormous pain while carrying us and giving birth. Even after birth, she wishes Her health and life to be given to the child so that her children can grow and cherish the joy of this creation. No matter how difficult the circumstances, one should never be ungrateful and should never foster hatred towards their mother, as this would be a worse character a person can have. As a person, one should foster such affection and wish for a privilege to be a parent to a daughter, and live with pride seeing their daughter play and grow in front of their eyes. This is the reason, She, the Divine Mother comes as a daughter to many.

Sloka from Śrīmad Bhagavātam composed by a scholar Bammera Pothana, said in the Veerabadhra Vijayam canto as follows:

“గిరిలలోన ఒకరి:గిరినైనా  నా:పేరు వెలియచేసితివి ఇపుడు:ఇందువదనా
నీకు:తండ్రినైతి నా:కింత:చాలదే ఇది మహాద్భుతంబు ఇందువాదన”

“Girilaloona okari:girinaina  naa:peru veliyachesitivi ipudu:Indhuvadana
Neeku:tandrinaiti naa:kintha:chalade idhi mah:adbhutambu indhuvaadana”

From the above sloka the mountain king Himavat to whom the Divine Mother came as His daughter, took the name Himavati or Parvathi or Shailaputri, since She is a Parvata Raja Putri (Daughter of the Himalayan Mountains) or Shailaputri. King Himavat told Her with joy that She has brought pride and glory to him, who is just but a mountain. Similarly, all fathers should expect their daughters to bring the same pride to one’s families.

Devi Shailaputri Prarthana:

“वन्दे वाञ्छितलाभाय चन्द्रार्धकृतशेखराम्। वृषारूढां शूलधरां शैलपुत्रीं यशस्विनीम्॥”
“Vande Vanchhitalabhaya Chandrardhakritashekharam।
Vrisharudham Shuladharam Shailaputrim Yashasvinim॥”

Please read the complete article on the magnificence of  Jaganmaatha on this portal.


Navratri day 2 (Brahmācharini)

On the 2nd day of Navratri, let’s explore the beautiful story of Devi Pārvatī’s service to Shiva before their Vivah and the story of Manmada (Kamadev) who disrupted Shiva’s tapasya and was burnt by the third eye of Shiva. It’s a beautiful and meaningful article rich in tatva for the 2nd day of Navratri.

Dakshayani in Yogagni

After the destruction of Daksha Yagna for performing Nir:īśvara Yag (meaning a yagna without the īśvara), Devi Dakshayani walked into the Yogagni (Fire created by Yoga, a highly advanced method in Yoga) to shed Her physical manifestation. She didn’t wish to continue as the Daughter of King Dhaksha who insulted Her Pathidev (Shiva). This concept of dēha:tyag (sacrifice one’s body) in the fire of Yoga refusing the discrimination of one’s pathi:dev (husband by Dharma) is called Sathi or Sati. Hence, Devi Dakshayani was the first Sati who tried to protect Her Pati’s honor.

Shiva after the manifestation of Veerabhadra, dwelled alone in the absence of Devi (physically manifested form). Whenever Shiva is alone like this, He withdraws into Dakshina Murti state, a state of being a Guru, and becomes a full-time ascetic immersed in teaching. To understand the aspect of īśvara & Śakti, please find this article on this portal under the topics list.

At this time, an asura called Tarakasura performed vigorous austerity of tapasya, pleased by his tapasya Lord Brahmā manifested and asked for the reason and his wish. Tarakasure wanted eternal life in physicality. Lord Brahmā denied as everything in Prakṛti that manifests should one day dissolve back into Prakriti. Tarakasurar knew that Shiva was without his Śakti (in a physical manifestation), and also knew that Shiva will never wed any other, hence will never have a child. He also knew about Ganesh who was the Son of Gowri (another manifestation of Shiva:Śakti) and was not created out of Shiva Tejas, so He asked to be killed by a Son born out of Shiva Tejas or Shiva Veerya. Lord Brahmā agreed and disappeared. Tarakasura went on a rampage of conquest and took over Deva:loka. Various lokas fell under the rule of Tarakasura.
Devatas in their haste and desperation reached out to Lord Brahmā for a solution since it was He who gave such a boon to Tarakasura. Lord Brahmā consoled the Devatas that Shiva:Śakti has born as Devi Pārvatī as a daughter to Menaka and Himavat and that She will wed Shiva soon. Knowing this Devatas waited, but were under constant abuse from Tarakasura.

Devatas in their haste and desperation reached out to Lord Brahmā for a solution since it was He who gave such a boon to Tarakasura. Lord Brahmā consoled the Devatas that Shiva:Śakti has born as Devi Pārvatī as a daughter to Menaka and Himavat and that She will wed Shiva soon. Knowing this Devatas waited, but were under constant abuse from Tarakasura.

Devi Parvati serving Shiva during his Tapasya

Rishi Narada reached Himavat and explained to him that his daughter was none other than Shiva:Śakti. Himavat jumped in the joy that the Śakti has taken abode in his house for that he was just a mountain and was so fortunate. He also realized that he can never find a groom for Her, other than Shiva, because for eternity She is Shiva:Śakti. Devi Pārvatī blossomed into youth, bringing joy and prosperity to Himavat and his Kingdom. The mountain ranges of Himavat were a sanctuary for various Rishis, Sages, Munis, and more for their tapasya. He heard the news that Lord Shiva has reached Himavat mountains for tapasya. He immediately ran to His presence along with his daughter and various other amenities. He urged Lord Shiva to allow him to assist in His tapasya and asked that his daughter (Pārvatī) be by His side to provide all the necessary amenities needed for His time in the mountains. It’s a custom in Sanatana Dharma that the parents always had their child participate in service whenever great devotees, Rishis, Sages, and Munis visited their homes and kingdoms, and whenever donations and charities were performed. Devi Pārvatī continued to serve Shiva with great devotion. A long time passed but neither did Lord Shiva expressed to Devi Pārvatī nor did She express to Shiva. There were immersed in their own activities which they undertook. This caused great dissatisfaction to the Devatas who were mistreated by Tarakasura. So King Indra of Devatas ordered Manmadha (Kamadeva) to spark a desire within Shiva as he (Manmadha) was the God of adoration and love by shooting an pushpa:ban (flower arrow of adoration) at Shiva. Manmadha shook in fear and concern to such an act, but Indra forced him. Manmade reached home to his dharma:patni Ratidevi and expressed his concern, for which she took shook in fear and begged him not to perform such an action. She said, Lord Shiva is not something we can define, Akash (sky and space), Bhumi (Earth), Jalapura (water bodies), Agni (Fire), Vayu (wind), Soma, Surya (Sun) including Brahmā cannot comprehend Him, so how can you shoot an arrow of Kama at Him.

Manmadha burnt by the eye of Shiva

Manmadha went back to Indra in sorrow to express his refusal to such an act, he said that being a son of Pundarikaksha (Śrī Mahā Viṣṇu) such an act would belittle his father’s name. But devatas were desperate and so was Indra, so as a king he ordered him to do so. Now it became Manmadha’s kartavya (duty) to do so. Devatas failed to realize that Shiva and Pārvatī were Prakṛti & Purusha and are the mother and father to all, and it was a disgrace to shoot an arrow of Kama towards their parents. In great dissatisfaction, Manmadha reached the Himavat mountains and with the help of Vasanta created a suitable atmosphere, but neither did Shiva nor Parvathi were affected by it. Finally, he took an arrow (pushpa:ban) and shot it at Lord Shiva aiming at His chest, the arrow struck Shiva and He opened His eyes, the Kama from that arrow got burned by Shiva and couldn’t affect Him. The all tranquil, humble, and peaceful Shiva rose in displeasure and searched for the culprit who performed such disgraceful act, and noticed Manmadha in the bushes, He opened His third eye (a symbol of knowledge and the blaze of dissolution) at Manmadha which burned him to ashes. Rathidevi upon hearing the news rushed to the feet of Devi Pārvatī and begged for mercy and explained the disinterest of her husband and it was Indra who ordered him to do so. Hearing this Devi Parvati proclaimed that Shiva itself means mangalam (auspicious and pure) and the pinnacle of wealth, knowledge, strength, calmness, purity, and prosperity. It’s She (Pārvatī) alone that can make Him sit by Her side as She is Pāraśakti, that She is Adiśakti and She is the very Prakurti (which is our abode) and She is His Śakti and His very half as Ardhangini. Now that all progeny has stopped because Manmadha disappeared, She took Kamadeva’s bow and arrows and sat next to Shiva as His Śakti. It’s She (Śakti) who can make Shiva to Rudhra when needed, and it’s She who can take him back to Shiva. She the Śakti is our abode, our mother, our divinity and our source, and the dispeller of māyā so that we can realize our father (Purusha) as the only pathi to all, hence the title Pashupathi. Devi Pārvatī, blessed Rathidevi that thought Manmadha lost his physical body, He will continue to exists without a body, hence the title ‘Ananga’ meaning without body parts, and only she (Rathidevi) can see him and no one else can. She also blessed that in the era of Dwapara:yupa he will be born in a physical form as Pradyumna as a son to Sri Krishna.

Tripura Sundari (Shiva:kama:sundari) holding Bow and arrows of Manmadha.

Sri Śankara gratified us with Shiva:nandha Lahiri and gave us the same tatva in its very first sloka:

” कलाभ्यां चूडालङ्कृतशशिकलाभ्यां निजतपः फलाभ्यां भक्तेषु प्रकटितफलाभ्यां भवतु मे ।शिवाभ्यामस्तोकत्रिभुवनशिवाभ्यां हृदि पुन- र्भवाभ्यामानन्दस्फुरदनुभवाभ्यां नतिरियम्”

“Kalabhyam choodalankrutha sasi kalabhyam nija thapa  Phalabhyam bhaktheshu prakatitha phalabhyam bhavathu me Shivabham sthoka thri bhuvana shivabhyam hridhi punar Bhavaabhyam ananda sphura dhanubhavabhyam natheeriyam”

Meaning, Shiva, and Devi Parvathi are the fruit of one another’s tapasya and hence never to be prioritized over the other.

Readers, kindly explore the magnificence of Prakriti and Purusha on this portal as they are one and the same, but act in two modes, or as duality, also why Shiva is called Pashu:pathi on this portal.

Devi Brahmācharini Prarthana:

“दधाना कर पद्माभ्यामक्षमाला कमण्डलू।देवी प्रसीदतु मयि ब्रह्मचारिण्यनुत्तमा॥”

Navratri Day 3 (Chandraghanta)

On the 3rdday of Navratri let’s explore the beautiful story of Devi Pārvatī’s tapasya to reunite with Shiva as His Śakti. And the magnificent Vivah (wedding) of Devi Pārvatī and Pāramesvara and the fascinating exploits in their wedding.

Devi Parvati in Tapasya to attain Shiva

After the failed effort of Manmadha to spark Kama within Shiva, Devi Pārvatī returns home to Her father Himavat. Upon realizing the event Himavat reaches out to meet Lord Shiva, but by which time Shiva left the mountains and ceased His tapasya. Devatas become more desperate, since two new problems arose, one, Devi Pārvatī is not in the proximity of serving Shiva anymore, this limits the likelihood of them noticing each other. The second problem was, Manmadha (Kamadeva) is burnt to ashes, the progeny has stopped causing a decline of birth and also a decline in Yagnas and Yagas resulting in fewer Havis (offerings) to Devatas. This setback caused deep resentment towards Indra for instigating such an approach. The one person who was joyous to this outcome was Tarakasura, whose odds of survival have increased giving him more time to rule and subjugate others. Devatas had no face to reach out to Shiva for a solution, and King Himavat would never allow his daughter to be involved in angering Shiva any further. For this devatas realized to humbly pray for the Divine Śakti in Devi Pārvatī to present a solution to their problems since She is their mother (Jaganmaatha). Both Shiva and Śakti realized the concern of the Devatas. Shiva Himself dressed as a female fortune-teller went to Himavat’s palace to meet Devi Pārvatī, and suggested Himavat, Menakadevi, and Devi Pārvatī perform tapasya to win over Lord Shiva. Devi Pārvatī and agreed, at first both Menaka and Himavat were every concerned and anxious towards such a difficult endeavor, but later were convinced as it was the destiny of Śakti to reach Shiva. Himavat and Menaka send few other female companions to support Her tapasya. Time passed and Devi Pārvatī continued to perform Her tapasya with integrity and reached a point where She just lived by eating few leaves, She became thin like a branch (hence the title ‘Aparna’), at this time Shiva took notice (actually He is all-knowing and all this was a beautiful act for us to enjoy and dwell in its magnificence) and wanted to show the worlds (creation) the resolve and the devotion of Śakti (Devi Pārvatī). He dressed again as a young handsome man and went to the location where Devi Pārvatī was performing Her tapasya. He went to Her and started talking to Her about Her efforts. He then started to convince Her that Her efforts were waste of time and that Shiva was just an ascetic who wears hide (animal skin), has no possessions, lives on arms, whose age is unknown to any, whose parents are unknown, has locks of hair, has snakes around His body, and uses ash instead of fragrance, stays mostly in funeral lands, rides on a bull, and is always surrounded by various ferocious bootha (beings). He asked Her to give up Her efforts and marry Him instead. Devi Pārvatī became angry and asked Her female companions to push this obnoxious man out of this place, as He has no understanding of the magnificence of Shiva. At this Lord Shiva with a long smile and revealed Himself and expressed that He was very pleased with Her tapasya and delighted to wed Her at that very moment. Devi Pārvatī was gleeful and overjoyed to unite with Lord Shiva and be at His side. She is always Shiva:Shakti, but to tell us the importance of Shiva and to become an example for us to attain Pāramesvara, She the Divine Śakti manifests time and again to strives and attain Shiva.

In this way, She become ‘Swadhina Vallabha’ meaning the one who claimed the supreme and made Him Her own. He who burnt Kamadeva to ashes, She with Her splendid beauty made Him desire Her, hence the title ‘Shiva:kama:sundari”. She took the same bow and flower arrows of Kamadeva and Her hands and sat next to Shiva as ‘Kamakshi’ and as ‘Tripura:Sundari’. Hence for Shiva, She is Shiva:kama:sundari, for us She is the Divine Mother (Jaganmaatha) to us all.

Lord Shiva on Nandi on His way to His wedding in procession with bootha:gana
Devi Pārvatī Weds Pāramesvara

She urged Shiva that this time She wished to follow the rituals involved in Kanyadan and fulfill all the rituals defined by Shastra for Vivah and Panigraha. Pāramesvara agreed and asked the presence of Arundathi and the Sapta Rishes to reach out to Himavat for Devi Parvatis hand on His behalf. The wedding day was discussed and the procession started to come to Himavat mountains. Being from various lokas started towards Himavat mountains. Himavat as the father of the bride stood at the entrance to greet all the visitors. Menaka Devi to date never saw Lord Shiva, she only heard His greatness but never witnessed His presence, so She stood at the balcony to view all the various processions entering the mountains. Sage Narada stood by her side narrating about the identity of the guests entering their house, many congregations of Yaksha, Gandarvas, Oceans, Mountains, Rivers, Sages, Rishi, and more entered, then came Devatas lead by Indira on his majestic white elephant (Iravatam), Menakadevi rose in anxiety assuming Indra was Shiva, Narada corrected that it was Indira the king of Swarga:Loka. Then came beings from Brahmāloka on beautiful Swans lead by Four Headed Lord Brahmā, Sage Narada again corrected Menakadevi. A very beautiful and equally splendid as Devi Pārvatī, with bluish hue riding the majestic Garuda came to Śrī Mahā Viṣṇu, Menakadevi stood in joy for such magnificent beauty assuming it was Shiva, Sage Narada corrected Her again. Finally, from a remote side progressed a congregation with loud and eerie sounds and music, the congregation were full of ghostly beings and strange bootas, they were led by a Man wearing animal hide and long locks of hair riding a bull, with ash all over his body and skulls around His neck. To Menakadevi its was an abnormal sight, she wasn’t sure but ignored them, Sage Narada rose in joy and said, here comes your daughter’s groom, Menakadevi was confused and searched. To her shock, Sage Narada pointed out to the man on the bull. Menakadevi was bewildered and lost consciousness and fell. After waking up she ran to Devi Pārvatī and objected to such a wedding. Devi Pārvatī, being the Pāraśakti knew the incomprehensible magnificence of Pāramesvara but realized Her mother’s anxiousness. Devi Pārvatī reached out to Lord Shiva and urged Him to show His magnificent true feature under His hair and outer dressing. Lord Shiva, agreed to Devi Pārvatī’s request and showed His spectacular form, He stood in front of her with beautiful hair, striking handsomeness beyond words, He stood tall and wide like a man never seen or never existed before, He stood brighter than thousand Suns, with calmness and coolness than the Moon, His glow was otherworldly, His smile was dazzling. He stood with Sun as His umbrella, while Ganaga and Yamuna blew fans for cool air. Menakadevi was astonished and bloomed in joy. The grand and one-of-a-kind wedding started, and when the time came to tell Shiva’s predecessors or parents, no one was able to tell who He was born to, or when He was born, or what world He belonged to. Śrī Mahā Viṣṇu and Lord Brahmā and the sages were unable to tell His lineage as he was īśvara. At this time, the worlds gathered in one place, all the worlds very empty as everyone was at the wedding, the creating and Earth went out of Balance, Viṣṇu reached out to Lord Shiva and expressed this imbalance as He (Viṣṇu) was the preserver of Creation, for this Lord Shiva understood the situation and called forth Rishi Agastya, and told him to walk to the other side of the world. Rishi Agastya was such a supreme Rishi that he alone can correct the balance of the world. Rishi Agastya with the divine grace of Lord Shiva was still able to witness the wedding even from the distance. In this way, Devi Pārvatī as His Śakti reached His side. Coming in the next chapter for the 4thday of Navrati we will see the birth of Lord Kartikeya.

Jagatav:pitarav:vandey  Pārvatī:Pāramesvara

Prarthana: “पिण्डज प्रवरारूढा चण्डकोपास्त्रकैर्युता। प्रसादं तनुते मह्यम् चन्द्रघण्टेति विश्रुता॥”

Navratri Day 4 & Day 5 (Devi Skandamaatha & Devi Kushmanda)

On the 4th & 5th day of Navratri let’s explore the magnificent keli केलि of Shiva & Devi Pārvatī and the birth of Kartikeya.

Shiva and Pārvatī Dance

Rishi Sanatkumara was an exalted sage, and during his days of Veda study (Vedabyasa) had a detest towards asuras for their atrocities towards Vedas and Rishis. This detest in him became a deep rotted trait, hence lay dormant in him as vasana (inherent traits carried over by jiva). Coming back to the story (In Navaratri Day-3), we experienced their wonderful wedding (Vivah) of Devi Pārvatī and Pāramesvara. After the vivah, they both reached Lord Shiva’s abode Kailash and withdrew into divine keli (केलि). Keli though considered as romance, means a divine play with each other through playful talk, chat, dance, travel, perceive each other in leisure, in isolation and to realize each other, and shaping each other on a very elemental level of physicality and consciousness. Why do all this? Because Pārvatī is Śakti, She is the only one who can make Shiva sit beside her, in creation Śakti takes the foreground and Shiva takes the back seat. During dissolution, Shiva takes the foreground and Śakti takes a back seat and becomes a witness. Hence she is called Maha-pralaya-sakshini, meaning the only witness to Shiva’s dissolution. During this keli, Śakti is reshaping creation, and at the end of which two entities seize to exist and become one singular entity. During this process, Shiva and Pārvatī knew that they will have to bear a son, but who will become their son? So, they reached out to Rishi Sanatkumara who was a Brahmā:gyani. When Devi and Shiva manifested in front of him, he did not react, why one should ask? Because he was a Brahmāgyani, he saw Śakti in the entire Prakriti and Purusha within His Ātman, hence he did not react. Devi and Shiva expressed their desire to grant him a wish, for which Sanatkumara said he was not interested in anything, so rather wanted to grant a wish to them. This was a unique situation in creations where īśvara’s wish was granted. So, They asked Sanatkumara to be born as their son and he agreed but, he had one condition. He said, being in this physical body given by Prakriti as Sanatkumara for so long, hence in future, he has no intention to be born again from a womb, hence his condition was to be born to Purusha alone, meaning born to Shiva alone. Devi Pārvatī was surprised and wished that She would like to be his mother as well, for which Sanatkumara said, She can raise him as her own from birth but doesn’t wish to be born out of the womb. Devi Pārvatī agreed to this condition. This keli continued for Shata:varsh (100 divine years, each loka has its time progression), and the devatas who were happy about the wedding were getting desperate day-by-day under the rule of Tarakasura. In this desperation and ignorance, a new concern arose in them. During Daksha:yagna:dwamsha (destruction of Daksha:yagna) all worlds witnessed the ferocity of Veerabadhra, who emerged from a strand of Sankara’s hair. They also realized that not even Lord Brahmā nor Śrī Mahā Viṣṇu could comprehend Pāramesvara. Based on this analysis they concluded that this boy born out of Sankara’s Tejas and Pāraśakti will be unimaginable. They were unable to comprehend or gauge such a being, and be able to keep up with Him. Hence, they reached out to Lord Brahmā, together they concluded that it’s better to be ruled by Tarakasura than experience this new being born out of Shiva. With the fear of the unknown and with the lack of devotion towards their parents (Shiva & Pārvatī) they came to an ominous conclusion, to ask Lord Shiva to stop their Keli and to hold His Tejas back and for Devi Pārvatī not to bear a child. With this hubris idea, they all went to Kailash and called for Lord Shiva’s audience. Upon hearing the commotion, Lord Shiva came out and addressed the Devatas. Rather than expressing their agony, and ask for a solution, they presented their ominous and disgraceful idea. The great unconditional and selfless ascetic, and ever auspicious Shiva, who drank the halahala (anti-creation element/poison), smiled and calmly agreed to this request. But, Lord Shiva expressed a problem with their request, He said His veeryam (tejas) was already fully blossomed and is about to take physicality, so Shiva took His ‘Rejus’ (Agni from His third eye) and merged with His tejas which resulted in ‘Ojas’, which can only be held by an auspicious place (punya:kshetra) since such a divine and supreme brilliance cannot be just discarded recklessly. He asked, “who among them would be willing to bear it” and be that kshetra (auspicious site). Devatas when into turmoil and argued among themselves as to who can hold this vibrant brilliance than the Sun and the fire. The only one entitled to receive Shiva tejas was Para:devata (Devi Pārvatī) but the devetas failed to realize this and asked Bhumi (Innate Śakti of Earth) to be the one suitable to receive this. So devatas urged Bhumi and Bhumi agreed. It’s to be noticed that another feminine aspect of Śakti other than the Pāraśakti agreed to receive Shiva tejas which was very demeaning towards Devi Pārvatī. Lord Shiva blessed them all to receive the comfort they were looking for and receded to brahmi:stiti (A state of pure Para:brahmam) into tapasya and left Devi Pārvatī in isolation. As soon as Bhumi received it, the brilliance spread and covered the entire Earth, Bhumi was unable to bear it and urged devatas to relieve her from this. So they considered Agni:deva to be pure enough to receive havis (offerings in yaga) hence can be its Kshetra. Agnideva agreed and came forward and received that brilliance in astonishment.

The very Pāraśakti, the mother of creation (Jaganmaatha) reached Her peeks of anger for such a foolish act by the devatas. But, She is the mother of creation, She is our abode, She is the Śakti that runs this creation and its various realities, its She who makes Shiva to Rudhra when needed, to correct foolishness and ignorance, and it is She who can soothe Rudhra back to Shiva. She alone, the very Pāraśakti, the Ishwari can make the īśvara be by Her Side and make Him desire Her and allow creation to come to be. So, She stepped in and saw that it was time to punish this foolishness. So, Devi Pārvatī punished Bhumi by cursing her that She will endure multiple husbands at a time, and their children when grow up and becoming her husband’s too. This is the reason why multiple kings who own lands are called Bhu:pathi and when their children grow up and become kings they also become bhu:pathi’s over the same land. The second curse Bhumi received was to have an uneven body and an uneven environment. This is the reason why Earth’s geography is different from place to place. Third, Bhumi was cursed to only have a girl as a child and never a Son to continue the progression of the family, hence Devi Sita was born of Bhumi as an Aionija. This is the reason why there is Surya Vamsha (Surya Ancestry) and Chandra Vamsha (Moon Ancestry) and never Bhu Vamsha. Devi Pārvatī then punished the devatas for steeling her rightful offspring, so She cursed that the devatas will never bear children, and because of the amrut (elixir of immortality) they drank their numbers will always remain the same irrespective of the progression of time, in a given creation. One has to take note that in all these events, Devi Pārvatī has never found fault in Lord Shiva for sacrificing their tejas, this was their depth of devotion towards each other.

The very Pāraśakti, the Jaganmaatha reached Her peeks of anger for such a foolish act by the devatas. But, She is the mother of creation, She is our abode, She is the Śakti that runs this creation and its various realities, its She who makes Shiva to Rudhra when needed, in order to correct foolishness and ignorance, and it is She who can soothe Rudhra back to Shiva. She alone, the very Pāraśakti, the Ishwari can make the īśvara be by Her Side and make Him desire Her and stimulate creation. So, She stepped in and saw that it was time to punish this foolishness. So, Devi Pārvatī punished Bhumi by cursing her that She will endure multiple husbands at a time, and their children when grow up and becoming her husband’s too. This is the reason why multiple kings who own lands are called as Bhu:pathi and when their children grow up and become kings they also become bhu:pathi’s over the same land. The second curse Bhumi received was to have an uneven body and an uneven environment. This is the reason why Earth’s geography is different from place to place. Third, Bhumi was cursed to only have a girl as a child and never a Son to continue the progression of the family, hence Devi Sita was born of Bhumi as an Aionija. This is the reason why there is Surya Vamsha (Surya Ancestry) and Chandra Vamsha (Moon Ancestry) and never Bhu Vamsha. Devi Pārvatī then punished the devatas for steeling her rightful offspring, so She cursed that the devatas will never bear children, and because of the amrut (elixir of immortality) they drank their numbers will always remain the same irrespective of the progression of time, in a given creation. One has to take note that in all these events, Devi Pārvatī has never found fault in Lord Shiva for sacrificing their tejas, this was their depth of devotion towards each other.

Birth of Kartikeya

Now, the situation with Tarakasura was not resolved and neither did Kartikeya come into being. So all the Devatas realized their faults and reached out to Lord Brahmā again and requested a solution towards the birth of Kartikeya because Agnideva was still in possession of Shiva Tejas. With this, they assumed someone else to give birth to this brilliance so they decided to request the elder daughter of Himavat, Devi Ganga (River Ganga) to accept the Tejas and give birth. This was not a usual situation to ask another female Śakti to bear a child for another person’s Tejas, so they asked Agnideva to reach and urge Ganga to accept this great burden. Ganga manifested and accepted the request, so She grew and covered Agnideva with Her water and took the Tejas within Her. All sides of creation watched with curiosity if Ganga could bear a child. Then came the shocking news that even Ganga wouldn’t bear it urging devatas to find an alternative. Devatas were again in turmoil as to the solution to Shiva’s Tejas, then their intellect raised a good question, who in this creation is eligible to hold? they realized it to be none other than Pāraśakti. They didn’t have a face to go back to her, and so they asked Ganga to let the Tejas at the feet of the Himalayas. Once Shiva Tejas hit the ground a flash of huge lightning came forth and many rare and primary minerals were born from the Śakti of these Tejas like Gold, Silver, Copper, Iron, and more. At the foot of those mountains was a lake known as Sarvana:tat(aka), which was the essence of Devi Pārvatī and this kshetra was one of the many forms of the Ishwari which born when an asura known as Basmasura took a boon from Lord Shiva and in return chased Him, to help this situation Devi Pārvatī manifested as a lake. That lake finally was able to bear that Tejas, and since the lake had 6 extensions the Tejas split into 6 giving birth to six baby boys. The babies needed a mother, so now with this excuse the Devatas asked Devi Pārvatī to take the children, and She with a beautiful smile took them made them into one single baby. Since this baby was born in the lake called Sarvanatat, He was called Sarvanabhav, and since He had six faces, He was addressed as Shenmukha or Arumugha (meaning 6 faces). Since He was the son of Shiva, He was called Kumara (hence the title Kumara is given to all boys and Kumari to girls) and since He was feed and nourished by the 6 Krutikas (they also are a different manifestation of Ishwari), He was called Kartikeya. Since he was the reincarnation of Sanatkumara and since the Tejas slipped rather than entering a womb He was called Skanda. All celebrated in joy for the birth of Kartikeya.

This beautiful story with so many twists was actually told by Rishi Vishwamitra to Sri Ram during Treta:yuga.

Kartikeya or Shanmugha

This boy grew up to be a handsome and magnificent worrier and was coroneted as the chief of the devata, and then waged a war with Tarakasura. A great battle was fought that day among the devatas and the auras, and as predicted Kartikeya eliminated Tarakasura and stopped his evil rain. All lokas rose in joy and celebrated their liberation in praise of Kartikeya.

Jai bolo Devi Skandamaatha. Jai bolo Devi Kushmanda.

Prarthana of Devi Skandhamaatha:

सिंहासनगता नित्यं पद्माञ्चित करद्वया।
शुभदास्तु सदा देवी स्कन्दमाता यशस्विनी॥
Simhasanagata Nityam Padmanchita Karadvaya।
Shubhadastu Sada Devi Skandamata Yashasvini॥

Prarthana of Devi Kushmanda:

सुरासम्पूर्ण कलशं रुधिराप्लुतमेव च।
दधाना हस्तपद्माभ्यां कूष्माण्डा शुभदास्तु मे॥
Surasampurna Kalasham Rudhiraplutameva Cha।
Dadhana Hastapadmabhyam Kushmanda Shubhadastu Me॥

Navratri Day 6 (Katyayani)

On the 6th day of Navratri let’s explore the role of Śakti in Creation (Śrusti), Preservation (Sthiti) and finally Dissolution (Pralaya). And also the role of Śakti as a Guru.

Pāraśakti comes as a daughter to her devotees, like Sati to Prajapati Daksha, as Uma to Himavat, and many more. Similarly, in order to bestow her grace for the devotion of Rishi Katyayana and to diminish the evil called Mahishasura, She (Pāraśakti) emerged like brilliance of thousand Suns, with three eyes just like Shiva, with black hair and eighteen arms. She is Shakti that supports all 3 aspects of reality: Creation, Preservation, and Dissolution. It’s She through whom Trimurti (Brahmā, Viṣṇu, and Maheswara) operate. So, Devi Katyayani emerged with the Trident of Maheswara in one arm and the Disk of Viṣṇu in another and, the water-pot (kamaldala) of Brahmā in another. All divinities manifested into Her arms as various entities. With this magnificent form She diminished the evil Mahishasura and so was proclaimed the title Mahishasura:mardhini. So, where is the reference of Śakti in all three: Creation, Preservation and Dissolution? It was Jagad Guru Adi Śankaracharya who used it in His magnificent stotram, Kanakadhārā, Sloka 10:

“गीर्देवतेति गरुडध्वजसुन्दरीति
शाकम्भरीति शशिशेखरवल्लभेति ।
सृष्टिस्थितिप्रलयकेलिषु संस्थितायै
तस्मै नमस्त्रिभुवनैकगुरोस्तरुण्यै ॥”

“Giir-Devate[aa-I]ti Garudda-Dhvaja-Sundarii-[I]ti Shaakambharii-[I]ti Shashi-Shekhara-Vallabhe[a-I]ti | Srsstti-Sthiti-Pralaya-Kelissu Samsthitaayai Tasmai Namas-Tri-Bhuvanai[a-E]ka-Guros-Tarunnyai ||”

(Green Message Kanakadhara Stotram).

Jñana (spiritual wisdom) blooms when kama (desire) falls in-line with Ḍharma (an act towards the cumulative wellbeing) resulting in sat:karma (positive). Such a lifestyle opens doors for devotion, which when performed with śrāddha (sincere effort) results in the evolution of human consciousness. Sri Śankara hence is giving this last sloka for those who wish to take the next step towards jñana.

The sloka ‘Srsstti-Sthiti-Pralaya-Kelissu Samsthitaayai’ refers to Srusti as in the concept of creation, Sthiti = Preservation, and finally the concept of dissolution-of-creation back to its original state is called Pralaya. Since this sloka is about jñana, it is addressing īśvara as ‘Guroho’, meaning Guru. It’s under the light of a Guru that one realizes īśvara, without a Guru, īśvara becomes just a textbook subject and not a living experience. Hence, a Guru gives jñana, so expecting anything other than jñana from a Guru is an ill-thought.

In this phrase ‘Tri-Bhuvanaika–Guros-Tarunnyai’ Sri Śankara is addressing Shakti (Śakti) of the Divine Mother as a Ḍharmapathni (wife) of the Guru of triloka (3 worlds).This can be seen in the sloka from Advaita Guru Paramparā:

“सदा शिव समारंभम शंकराचार्य माध्यमम अस्मत आचार्य पर्यन्थं वनडे गुरु परंपराम”
“Sada Shiva Samarambham Sankaracharya Madhyamam Asmat aacharya Paryantham Vande Guru Paramparaa”

“नारायणा समारंभम व्यास शंकर माध्यमम असमद आचार्य पर्यंतं वनडे गुरु परंपराम”
“Nārāyaṇa samarambhamvyasa sankara madhyamam asmad aacarya paryantamvande guru paramparaam”

Advaita Guru Paramparā

īśvara can be comprehended by seeing through any of the three windows of this reality, which is through its creation, preservation, or its dissolution. īśvara is the supreme entity and supreme singular consciousness, which exists even in the absence of the creation, since īśvara is devoid of a host. He Himself manifests as a host to foster the creation and its various realities, and finally dissolute it to its original state. All this happens within Him, hence there is no secondary entity other than īśvara. In this sloka Sriman Nārāyaṇa/ Sada:Śiva is the first Guru in the legacy of Gurus, followed by Vyāsa in succession (also a manifestation of Viṣṇu, who compartmentalized the Veda, and composed various Puranas, Upanishad, the Itihaasa and more) in the middle is this hierarchy is Sri Śankara (who revitalized Sanatana Ḍharma at its brink of destruction) and this succession constitutes as the legacy Gurus to whom we perform our Vanday (salutation).

As discussed, this reality can be preserved through any of the three windows or concepts, and so Sriman Nārāyaṇa is not limited to the concept of Preservation, He is none other than īśvara (Viṣṇu tatvam). This is one of the main reasons, Sri Śankara established a culture, wherein all the successors of the four matt (institutions) worship Sri:chakram (the disk held by Viṣṇu) and chant ‘Nārāyaṇa, Nārāyaṇa, Nārāyaṇa’ whenever someone bows down to them. Since a sanyasi shouldn’t expect anything, including a namaskar, by chanting the title ‘Nārāyaṇa’ three times they forward or redirect our namaskaram to Nārāyaṇa instead. It’s widely misconstrued that Sri Śankara is a Shivait (one who follows the discipline of Shivam or a follower and a propagator of Shiva and family) mainly because He and His successors apply the three stripes of Vibhudi (ash) on their forehead. However, this very Kanakadhārā and the concept of one īśvara who operates in three different concepts shows us otherwise. A person can play different roles in a day, like an employee at work, father or a son at home and as a student in the presence of a Guru, similarly, īśvara simulates and gives us the experience of reality as three concepts that can be seen as one īśvara or one Guru, hence known as ‘Tribhuvanaika Guru’. One should eradicate an ignorant notion that Sri Śankara is a propagator of Shivam/Shaiva Tradition.

Vani Hiranyagarbha

‘Giir-Devateati’ also addressed in many other version of Kanakadhārā as ‘Vaag Devateati’ which refers to Vakdevi or Devi Sarasvatī, the concert and the Śakti of the Creator Brahmā.

Lakshmi Nārāyaṇa

‘Garudda-Dhvaja-Sundariiti’ refers to Garudadvaja meaning the one who rides the great Garudha, which is Viṣṇu and Sundari meaning the embodiment of beauty, love, and compassion which is Śrī Lakṣmī (the concert and the Śakti of the Preserver).

Next should come the Śakti of dissolution, but Sri Śankara said, ‘Shaakambhariiti’, so who is Shakambhareti? Let’s come back to this unique title in our next day article of Navratri day 7.

Uma Maheswara

Next, He said ‘Shashi-Shekhara-Vallabheti’ wherein Shashi Shekara means the one who wears the crescent moon on His head who is none other than Shiva/Pāramesvara. What does the moon signify in this case? For this world, mainly Earth, the moon is the celestial body that represents both kālám (progression of time) and immortality. One can say it’s the Sun that represents time, which is also true in terms of determining the beginning and the end of a day along with the seasons. However, to compare one day from the next, and in gauging the progression of days, the moon phases in relation to the Sun’s Hoora (predominance of Sun on a given day) help us determine that. Also, the Sun in this solar system is stationary (but not in the flow of the expanding universe), whereas the moon revolves around the Earth depicting various phases helping us distinguish one day from another. Moon goes through 14 phases of decrements and 14 phases of increment, along with a full moon and no moon day, uniquely defining the progression of time and the rate of change, this approach gave us the calendars and the ability to calculate future celestial occurrence. Hence ‘Shashi Shekara’ represents Shiva/Pāramesvara, who with the moon on His head symbolizes that He is devoid of time, hence the title kālántaka. kālá for us is a progression of events, but for īśvara this happens within Him through the concept of dissolution. Finally, ‘Vallabethi’ meaning beloved or dearest, referring to Devi Pārvatī/Pāraśakti.


Navratri Day 7 (Kalaratri)

On the 7th day of Navratri let’s explore two unique manifestations of Devi by the title Kalaratri and Shakambhari, and the story that shows how this concept goes beyond the three stages of Creation, Preservation, and Dissolution.

Kālá means time and Ratri means darkness, night and emptiness. Kāláratri is a ferocious aspect of Pāraśakti. The story goes as follows: Two evil beings by the names Shumbha and Nishumbha attacked the Deva:loka and overtook it. The Devas reached the abode of Pāramesvara (Shiva) and gave their salutations and urged a solution to their troubles. Pāraśakti (Devi Parvati) was bathing so She created an alternate beings called Chandi who lead the fight against the evil. Chandi created another being Kāli, meaning the one of dark complexation. In this battle, the evil was purged. But soon after another evil emerged with the name Rakthabija, Raktha means blood and Bija means seed. As the name emphasizes, this evil possessed a power wherein his blood would become a seed for another evil being to emerge. Each time Kāláratri attached, his blood fell on the ground and new forms of evil emerged. Kāláratri went into a frenzy and cut the head of Rakthabija and collected his blood and drank it. In her frenzy She was unstoppable, She attached everything and anything in her way. The Devas again urged Pāramesvara as they couldn’t solace Her anger. Pāramesvara fell on the ground in front of Her and Her foot touched him, She immediately went nostalgic and realized Her husband and bit her own tongue in haste, this stopped her frenzy.

In yesterday’s article for the 6th day of Navratri, we discussed how the Śakti operates in the stages of creation, preservation, and dissolution as explained by Jagath Guru Adi Śankaracharya in His one of a kind magnificent stotram called Kanakadhārā. Today we will explore the 4th aspect of Devi known as Shakambhari and travel through the story and its tatva. So, let’s start with the sloka 10 from Kanakadhārā:

“गीर्देवतेति गरुडध्वजसुन्दरीति
शाकम्भरीति शशिशेखरवल्लभेति ।
सृष्टिस्थितिप्रलयकेलिषु संस्थितायै
तस्मै नमस्त्रिभुवनैकगुरोस्तरुण्यै ॥”

“Giir-Devate[aa-I]ti Garudda-Dhvaja-Sundarii-[I]ti Shaakambharii-[I]ti Shashi-Shekhara-Vallabhe[a-I]ti | Srsstti-Sthiti-Pralaya-Kelissu Samsthitaayai Tasmai Namas-Tri-Bhuvanai[a-E]ka-Guros-Tarunnyai ||”

(Green Message Kanakadhara Stotram, n.d.).

Devi Shakambhari decorated with fruits and vegitables

Once in a time of severe drought, people, animals, and plant life were into deep suffering (note we read earlier that when a person performs a:dharma, that man suffers, but if a king does a:dharma the entire kingdom suffers). The Divine Mother who couldn’t tolerate the suffering of the people, came forth and manifested, but instead of showering rain and riches, She manifested Herself into flora, or rather into edible vegetation. This vegetation was not just one particular tree but bear many types of vegetables, fruits, and other edible flora. The people and the animals ran towards Her to quench their hunger and thirst. The reason She took this approach was that the people were not in a state to cultivate their own food even if it rained. They had no strength or availability to purchase anything even if provided with riches. It’s a mother’s nature to feed the children, She did exactly that. There is a difference between hunger and other necessities compared to a craving for riches or fame, because once the stomach is full the hunger disappears even if more delicious food is present, but when a person becomes rich, there is no end to one’s appetite for wealth and its preservation. Now that we understood who Shakambhari is, why did Sri Śankara refer the Divine Mother with a title avert from the concepts of creation, preservation, and dissolution? While dwelling or reciting Kanakadhārā, one can always urge and make sure their primary necessities are met. One can always urge for more, like good Health, wealth, prosperity, children and more. Even if we don’t, like a mother, the Divine Mother Shakambhari will always keep an eye on us and will always make sure to suffice our necessities without we requesting them, so that we can continue to cherish dwelling in Kanakadhārā leading us in the path to jñana.

Devi Shakambhari Sambhar Rajasthan

As said earlier this is a one-of-a-kind stotram with very rich essence providing solutions to our karma and incorporates various fundamentals of Sanatana Ḍharma.When one reaches content in life (note, this doesn’t mean to reject prosperity if presented itself as a part of karma:phala) and continue to explore Kanakadhārā, he or she will reach a point of pure joy of this Dhara.  From īśvara’s stories and accounts, and with the glimpse of the Divine Mother’s tatva, our world will now look different. When we see a representation of the Divine Mother in a picture, an idol, a sculpture in a temple, or read about Her, we will now see and comprehend Her at a different level than before. Now that we are part of this dhara, our perspective will now be much more evolved. This joy will make us wish to learn more about Viṣṇu and Śrī Lakṣmī and relate to what we have learned till now. It will make us wish to hear or read about them again and again and recollect their stories. It’s similar to a song we like, and even after memorizing it, we wish to hear it again and again and sing or hum in joy. This very approach is a path to jñana. It’s to be noted that anomalies like Sri Śankara are different in this aspect to have achieved jñana at such a young age and walk to a house and make golden amlas rain.

Sri Śankara hence incorporated this sloka into Kanakadhārā from Śrī Lakṣmī Astotara Shatanamavali. It’s in this stotram wherein a critical fact is hidden in plain sight, wherein Śrī Lakṣmī is addressed by the title ‘Brahmā Viṣṇu Shivatmikayi Namaha’ meaning it’s She the Pāraśakti is the Ātma swarupam as Vagdevi (to manifest as veda which is the breath of īśvara) to support creation alongside Brahmā, and as Śrī Lakṣmī to provider prosperity in order to support the preservation of creation alongside Viṣṇu and to provider jñana and witness dissolution (unification) alongside Rudhra as Rudhrani.

Jai Devi Shakambari.

Navratri Day 8 (Mahagauri)

On the 8th day of Navratri let’s explore an unique secret of Devi’s role in creation and its dissolution hidden in the title ‘Mahapralaya Sakshini’.

Shiva Pārvatī Dance

Before we go deeper into the events of the 8th days of Navratri, we have to understand something vital explained in Kenopanishad, which is the 2nd prominent Upanishad of Sanātana Ḍharma Vedanta. It says:

Uma, Daughter of Himavata, said to Indra, “It is the Eternal. Of the Eternal is this victory in which ye shall grow to greatness.” Then alone Indra came to know that this was the Brahman. Among the Devas it is He who came closest in knowing/touching Brahman.

Kenopanishad Chapter 4.1-4

As we can see above, beyond the 33 types of Vedic Devas, lies a concepts that encompass creation, its realities, and the states beyond its dissolution. This is why the 8th day of Navaratri is vital to understand that, Uma/Parvati is none other than Brahman. Among the infinite realities, emulate a unique event between Pāraśakti (Uma) and Pāramesvara (Shiva). It so happened that Shiva at one moment opened his eyes from a deep transient state, looked at Devi Uma and addressed her as ‘Kali’. In this swarupa (appearance/ form) She was with a dark complexation, so Shiva in a single glance said “Kali” meaning “oh dark one”. Shiva never addresses Devi Uma by her name, He always addresses her with complete affection and adoration. He uses words like Beautiful, Lotus eyes, smiling face, daughter of the mountains, mother of the worlds, and so on. As we can see they are all adjectives describing her splendid beauty, similarly He said ‘Kali’, but this is not a negative thing, but for some reason, he used this adjective in an affectionate yet playful way. She (Uma) immediately stood up and in the Fire of Yoga shed her form and emerged into a new form with fail complexation. Hence, took the title Gauri. Shiva is always described as having fair completion with bhasma (ash) smeared over his body with long locks of hair and massive built. Devi Uma took a form to match his, this was a very playful event between them. There are many versions of this story narrated in many scriptures. Now, let’s go back to the secret title of Devi Uma.

When a mother notices her child ignoring studies or proper behavior, she watches, warns but also waits patiently up to a certain point, let’s say till the grades show up. Now the child needs to understand the severity of good behavior, however, she doesn’t necessarily take matters into Her own hands, nor will she throw a blind eye towards Her child’s behavior. She discusses with the child’s father and sparks a wave of momentary anger in him, at the same time she stands very vigilant to make sure that the situation is in check, and jumps-in if she senses any likelihood of risk. Later she soothes Her child by explaining the father’s love and also tried to calm Her husband telling him not to carry his anger since the child is just a child, delicate and young and yet to learn. She makes sure to bring out Her husband’s affection back, so as to pamper, console and express their love towards the child. She explains to the child that their reactions were momentary and towards the well-being of the child. It’s to be carefully noticed that the mother’s nature in this event is to both trigger the event and also stand witness to it. She herself doesn’t necessarily take matters into Her own hands, at the same time, she doesn’t lose Her composure. It’s certain that this scenario might bring back many of our own nostalgic memories from childhood.

Now, what is the above occurrence have to do with a hidden secret pertaining to creation and its realities? The secret lies in the phenomenon of mahapralayam (maha:pralayam), which is the dissolution-of-creation and its many realities by Pāramesvara. Yes, it’s plural, because there are many universes with different realities which are explained in Sri Devi Puranam, Śrīmad Bhagavātam, and in Sri Lalitha Sahastranama Stotram. Pāramesvara in His Rudhra Trandavam (Cosmic dance of dissolution) devours creation into Himself, to which only Devi Parvathi (Call Her Gowri) bears witness (please note that Rudhra is not a destroyer, He is the concept of Dissolution and Change).  She later sparks an event to foster a new creation through Pāramesvara. Countless such dissolution and creations have happened, and for all this, She stands witness, hence in Sri Lalitha Sahastranana Stotram, She is called ‘महा प्रलया शक्षिणी’ (Maha Pralaya Shakshini).

Shiva as Nataraj Tandavam Dancing

‘Maha:pralaya’ means the supreme dissolution of creation and ‘Shakshini’ meaning witness. Even in the state of preservation of creation, She is the one who triggers the transformation of Shiva to Rudhra when Her children need to be taught a lesson and then back to Shiva when things calm down. Daksha Yagna, an event from Mahabharata Itihasa is an excellent example to understand this concept of the Devine Mother, wherein She steps into the yoga-agni making Shiva become Rudhra. She Herself very rarely becomes Rudhrani, like the events where Pāraśakti as Devi Katyayani diminishes evil like Mahishasura. She again calms Rudhra back to Shiva allowing Creation to flourish, like when Halahalam an anti-creation element that emerged during Kshera:sagara Madanam, and all Devatas and Daityas ran to Pāramesvara for help. Lord Shiva consoled Devi Parvathi to allow Him to consume Halahalam in order to save creation and in return make Viṣṇu happy as it’s his role to preserve creation and its Dharma, for which She agreed with extreme ease and confidence. It’s to be noted that, it’s īśvara (Ishvar), who both saves and also punishes, it’s He who both creates and later dissolutes, it’s He who shows both anger and also compassion, yet He, in His true essence of Pārabrahmā is devoid of these contradictions and concepts. Similarly, the Divine Mother both triggers and also consoles, She both witnesses the dissolution and instigates creations. Hence, the title in Pārvatī Astotarashatanamavali  ‘Srisstiroopai namaha’ and ‘Srisstisamhara Karinai Namaha’. She is both vigilant but also witnesses everything with composure. She opens the path for us towards understanding our Father, but She can also toss us further into Her māyā (illusion) making us dwell in desires and into an ever ending cycle of Samsara. From Her creation manifests as Prakṛti can cover us with materials and imaginations in Her Prakṛti and make us forever loop the cycle of janma and karma, or She can open the path towards the Purusha by detaching our bonds to Prakṛti, so that we understand the supreme singular conscience who is our father. She makes us use His Prakṛti (call it the physical realm) as a bridge for a Jīva to both cherish its existence and walk towards the Purusha, hence, in Sri Lalitha Sahastranana Stotram, She is addressed as:

“पुरुषार्थप्रदा पूर्णा भोगिनी भुवनेश्वरी ।”
Purushardhaprada purna bhogini bhuvaneshvari

This is but a very tiny glimpse of the Divine Mother, so we in the interim of our momentary physical form can make an attempt to comprehend that the Divine Mother’s love is incomprehensible yet tranquil and comforting.

LAYA (Dissolution):

Shiva Tandavam while Devi Pārvatī Witnesses

Shiva (Pāramesvara) and Shivaa (Pāraśakti) are both Pralayakartha (Pralaya:kartha) (who dissolute) and Pralayashakshini (Pralaya:shakshini) (who witness the dissolution) and should never to be worshiped separately. One should never misinterpret Shiva as the destroyer, it would an insult to identify Him in this way. Everything that emerges, dissolves back into its source, even Ātman should one day become one with Pāramatma (supreme singular consciousness) and this happens through jñana. Jñana is a state wherein the self or Ātman realizes and recognizes itself, in other words, the self which associates itself to this physical body detaches itself from the physical realm, to unify with Pārabrahmā. This concept of Ātman unifying with Pāramatma is called as laya. The dissolution of creation (with all its realities and countless universes), becomes a singularity when Prakṛti (both physical manifestation of energy and pure energy) are unified with Pāramesvara. In the same state, as per Viṣṇu tatvam (same tatva different perspective), Sri Viṣṇu is depicted as Vatapatra Sai. During this state, He alone as the supreme singular consciousness dwells in the absence of creation and all its realities, devoid of kālá (time). Its to be noted that īśvara is always alone since there is no secondary entity other than Him, however, in creation and its various realities, He manifests differently. After maha:pralayam when He decides to restart creation, His Śakti drips out of Him as Prakṛti, or rather we should say, His Śakti emulates within Him to manifest as Prakṛti. Eventually Prakṛti unifies with Him through the concept known as mahapralayam. Countless such creations and dissolutions take place, or rather one should say taking place within īśvara because the time for us might be linear, but for īśvara, He is kāláthita (‘kālá’ = time and ‘athita’ =devoid) meaning devoid of time. This is the reason why Pāramesvara is depicted with a garland of skulls that belong to previous Brahmā (creators) who came and left, and out of respect to the creator of each srusti (creation), Shiva tags them to His garland. A similar message of multiple creations and realities existing in parallel can be seen both in Śrīmad Bhagavād Gita and Sri Devi Bhagavatam (Sri Devi Bhagavata Puranam). In Viṣṇu tatva, Viṣṇu restarts creations, similar to the blossoming of a lotus flower. It’s Śrī Lakṣmī who blossoms in His hrudaya (as His Śakti) to become strusti (creation) and manifesting as Prakṛti. In a single word, Viṣṇu becomes Vishvam (entire creation and its realities) encompassed within Him. This is the reason Viṣṇu Sahastranama Strotram starts with the word ‘Vishnvam’ and every other name in this stotram is but analogies and subtitle to ‘Vishvam’.

Three forms of Laya (Dissolution):

Swalpakalika Laya (Swalpa:kalika:Laya) is a phenomenon of our consciousness momentarily detaching itself from the body/physicality, during a state of rest. The Ātman (Rudra) still exists but dwells in a different state, commonly known as a dream. This type of laya providers our body and mind with rest and rejuvenation to restructure itself to perform karma after being awake. The physical body and mind continue to function during this state but in the background.

Aatyantica Laya (Aatyan:tica) is to ignite jñana so that the Jīva recognizes Ātman, meaning itself to be the Pārabrahmā. We have read earlier that its the Divine Mother who has to bring us close to īśvara by fostering devotion leading to jñana.

Finally, pralaya(m) is a temporary reset of Bhumi (Earth) either through a calamity or by the beginning of a new era. Pralaya(m) has an extended version known as mahapralaya(m) (maha:pralayam), which is the complete dissolution of creation and all its realities to unify creation with its source, which is Pārabrahmā unified with Śakti becoming a singularity. Hence, Pāramesvari  (the Śakti also Devi Pārvatī) is the only one to witness this dissolution, hence known by the title ‘Maha Parlaya Shakshini’. Pāramatma (the supreme singular consciousness) using its Śakti stores the information required to restate a new creation. His Śakti eventually oozes out of Him to form both the physical matter and also pure energy with which He (īśvara) as Brahmā structures and builds a reality, as Viṣṇu He strives towards its preservation and as Rudra propels creation forward towards change, rest, jñana. Eventually, He takes back this Śakti. Many such realities exist in this creation, and so, many respective Brahmā and Viṣṇu and Rudra exist for these respective realities, who are but one īśvara. Through the process of pralaya and mahapralaya(m), īśvara Himself seeks to unify the Jīvas who were unable to realize the Pārabrahmā. A good analogy is a ball of moist clay when falls on beads making them stick to itself, hence īśvara reaches those who couldn’t reach Him (īśvara).

Above are the three major forms of pralaya performed by the concept known as Pāramesvara and Pāraśakti. Based on this we should carefully contemplate that there is no anger involved in the phenomenon of mahapralaya. In fact, it is done out of Karunyam (empathy), because a Jīva hops through millions of lives dwelling in a never-ending loop of samsara. Jīva unable to realize Ātman eventually gets exhausted, at which point īśvara Himself reaches them and assimilates them with Himself, hence, this concept is not something to be feared, rather one must contemplate upon this, and when understood, life and its unanswered questions automatically fall in place.


Navratri day 9 (Durga)

On the 9th day of Navrati let’s explore the story of Mohini, a manifestation of Śrī Mahā Viṣṇu or is it really a manifestation of Devi Pārvatī? This is a very unique story, rich in essence and tatva. And also let’s explore the aspect of Kama (Desire).

Let’s start with a question, Are Devi Pārvatī and Viṣṇu Siblings (Brother and Sister)? Who is Nārāyaṇa and Nārāyaṇi?

Devi Pārvatī is Pāraśakti and from Her arises the essence and the concept of Prakṛti, and as discussed in our earlier articles, is the adobe for our existence. As science says that creation is a vibration, and the same can be found in the book of Patanjali Yoga Sutras called Science of Yoga by I.K Taimni which beautifully expands as to how sound as resonance is what makes creation unfold into the taste, smell, and color and more. Hence, She assimilates the very nature of preservation and creation in this physicality. On the other hand (Viṣṇu tattva) Viṣṇu attains the nature of preservation, and hence is the concept of sustainability, and well-being of creation in His purview, especially the upliftment of Ḍharma. Hence, the sloka from Śrīmad Bhagavād Gita, part of Sri Maha:bharatham, composed by Rishi Veda Vyasa, said in chapter 4, sloka 8:

परित्राणाय साधूनां विनाशाय दुष्कृताम्। धर्मसंस्थापनार्थाय संभवामि युगे युगे।।
I (Viṣṇu as Sri Krishna) will take care of those who are pious, rishis, humble and the eradicator of those who have performed wicked deeds and to establish Ḍharma

(Gita Supersite. n.d.)

File:Mariage of Shiva and Parvati (Meenakshi) witnessed by Vishnu, Meenakshi Temple, Madurai (2) (36857653813).jpg
Sri Maha Vishnu giving away Meenakshi in Kalyanm to Shankara, Meenakshi Temple, Madurai

The same essence can be found in Devi Bhagavatam as well. It’s because of this very nature, both Śrī Mahā Viṣṇu and Pāraśakti manifest into different forms in different times in their own creation. Sri Viṣṇu takes birth mostly from a womb of Prakṛti (female) and Śakti as ayonija (meaning not born out of a womb). Śrī Mahā Viṣṇu manifests as Sri Rama, Sri Krishna, Vamana, Varaha and more. Similarly, Pāraśakti manifests as Himavati, Dakshayani, Katyayani, Bhargavi, and many more. Both manifest time and again, sometimes together (Sri Krishna and Yogamaya) and sometimes apart, to upheld Ḍharma and preserve creation. Hence, they are siblings and bear the same color/hue, and so are addressed as Nārāyaṇa (Śrī Mahā Viṣṇu) and Narayani (Devi). Hence, the title ‘ViṣṇuSodariyai Namaha’. The gist is, Devi and Śrī Mahā Viṣṇu are mirror images of each other. They are the same tatva in two manifested aspects and it’s a deep secret why they do that. They both are one essence with two modes of presentation. If we compare Śrīmad Bhagavātam and Devi Bhagavātam we will see this resemblance very clearly. Their actions, their approaches, manifestation, their message, their role as a Guru, their role in the preservation of creations, their role in the establishment of Ḍharma, their role in the eradication of beings following a:dharma and more, are all the same. Let’s see one such story to get this essence.

Let’s discuss a little about Manmadha (Son of Viṣṇu and Śrī Lakṣmī) first. Sri Śankara referred to him as ‘Anangga’ meaning not to have a body or limbs. Then how can someone without a body or limbs able to win and put his spell on us? Sri Śankara’s sloka from Soundarya Lahari, Sloka 6, wherein He says:

“धनुः पौष्पं मौर्वी मधुकरमयी पंच विशिखाःवसंतः सामंतो मलयमरु-दायोधन-रथः ।
तथाप्येकः सर्वं हिमगिरिसुते कामपि कृपां अपांगात्ते लब्ध्वा जगदिद-मनंगो विजयते”

“Dhanun paushpam maurvi madhu-kara-mayi pancha visikha Vasantaha samanto Malaya-marud ayodhana-rathah;
Tatha’py ekah sarvam Himagiri-suthe kam api kripaam Apangat te labdhva jagadidam Anango vijayate”

(Hindu Literatrue. S.K.K. n.d.).

From above the words ‘Apangat te labdhva’ meaning the eyes of the Divine Mother when fell on Manamadha give him the power to win and cast his spell on us. If that’s the case, then will the spell of Manmadha corrupting us? So here lays the secret to one of the most important questions, is Kama (Desire) corrupting us? And the answer is no, provided Kama is assimilated with Ḍharma. As long as the Kama is entwined in the wheel of Ḍharma then it will not corrupt us. For example, the Kama or a desire towards reaching and understanding īśvara is a good desire, and so helps uplift us. When one realizes that, one can explore īśvara’s essence, learn a good stotram, read a good book, perform a pooja with devotion, and so on, then such a desire towards īśvara will uplift our consciousness. Sri Śankara’s sloka from Soundarya Lahari, Sloka 5, wherein He says:

“हरिस्त्वामारध्य प्रणत-जन-सौभाग्य-जननीं पुरा नारी भूत्वा पुररिपुमपि क्षोभ मनयत्
त्वां नत्वा रतिनयन-लेह्येन वपुषा मुनीनामप्यंतः प्रभवति हि मोहाय महताम्”

“Haris tvam aradhya pranata-jana-saubhagya-jananim Pura nari bhutva Pura-ripum api ksobham anayat;
Smaro’pi tvam natva rati-nayana-lehyena vapusha Muninam apyantah prabhavati hi mohaya mahatam.”

(Hindu Literatrue. S.K.K. n.d.).

Lord Shiva and Mohini
Sri Maha Vishnu as Mohini

Meaning Viṣṇu once through upāsanā (worship) of Pāraśakti attained Her beauty, for this Shiva, curiously (knowingly) asked Viṣṇu to show that form. The story as follows, Shiva upon hearing Viṣṇu’s achievement of attaining the beauty of His wife (Uma), curious to see (knowingly), reached Vikuntam (residence of Viṣṇu and Śrī Lakṣmī) and asked Viṣṇu to show His female form (the form of Mohini). Shiva who burnt the cities of Tripurasura, a sage (Adi Yogi) whose mind cannot be moved or disturbed by any desire, a sage who burnt Manmadha (the God of kama) whose arrows of love failed to flaw Him, however on that day His mind fluctuated by looking at His wife’s form in Viṣṇu. Now, the Divine Mother (Pāraśakti), in this case, Devi Parvathi, who is Shiva’s Ḍharmapatni, by granting Her beauty to Viṣṇu, has She caused Shiva to drift in desire and in return blemished His character? Then why did Sri Śankara compose such a sloka in Soundarya Lahari? Devi is the Mother of all worlds, created desire and love to fabricate Creation itself (which includes us) causing it to flourish by making a being strive for self-preservation. This further helps in the progression of one’s body and mind to continue in this creation as a son or daughter. Therefore, She is the only one who can pull Shiva into the notion of Desire. She is the only one who directed Shiva to move towards Viṣṇu by cloning Him into Herself. Since Shiva can only desire Devi, desired Mohini is a clone of Devi, which resulted in the remarkable birth of Ayyapa (Manikanta). Who is none other than the unified form of Shiva and Sri Hari (Technically Devi Parvathi posing as Viṣṇu)? In this unified form, Ayyapa then abolished the evil Maheshe who was threatening the world with Her power. Maheshe took a boon from Brahmā, that only a unified form of Shiva and Sri Hari can diminish her, which she assumed would never be possible, hence proclaimed immortal. Maheshe assumed that the concepts of Preservation and Dissolution are two separate and failed to recognize that its one īśvara who operates in two modes, for creation to progress towards dissolution in a slower phase, hence with pride and ego failed to evolve in consciousness. We can now understand how Devi did such a unique and flavorful fabrication to save the worlds and safeguarding creation from various calamities that we and other beings of this creation bring upon ourselves through our own ignorance.

Readers should note that this universe, technically many universes as explained in Lalitha Sahasranama Stotram has innumerable flavors of fabrications that are not necessarily convincing to us with our limited comprehension. At the same time, Sanatana Ḍharma does not censor such content and abstracts us from the truth. Hence, one needs to understand that there are multitudes of untold flavors in the fabric of creation, which are not limited to our understanding, hence not to be considered flawed or nonexistent. Many theorists today believe in not just one universe but in the existence of multiverse or parallel universes. One lifetime is not necessarily sufficient to experience them all. A jiva, which has no death, hops through so many lives in so many upaadi (forms) across so many lokas.

Hence, desire when in line with Ḍharma, uplift us and gives this world many great things. For example, the great Rishi Vyāsa who compartmentalized the Veda and Upanishad, on a certain day drifted by a desire towards Gruthachi, and this resulted in the birth of Shukabrahmā who narrated Śrīmad Bhagavātam to King Parikskhit in seven days. If such a great personality was not born in this world, who else can take up the legacy of great Rishi like Vyasa. Pāraśakti/īśvari invokes māyā (illusion) of desire within great Rishis time and again so that the world can be fortunate to receive extraordinary personalities because Rishis by themselves have crossed the state of worldly desire and evolved into higher plains of consciousness, if not for Her (Devi’s) māyā, how else can they be brought back to the simpletons of material and bodily desires. A good example of an uplifting desire would be to be anger towards the inability to control one’s own anger, making such anger a better emotion to uplift us. So, it’s through the same desires and emotions we can channel them and uplift ourselves because desires and emotions are an inherent nature of humans, hence are called vasana. One should properly channel these desires into Sanskaras and never suppress them. In Devi Bhagavatam, King Janaka explains about Desires and the greatness of Gruhastu Ashram to Sage Shukabrahmā:

इंड्रीयनी भलिस्तानी ननियुक्तानी मानधहा
“Indreyani Bhalistani Naniyuktani Maanadha”

Meaning, one who forcefully suppresses one’s emotions that transpire from these desires, such desires will one day break loose and bites one back. Hence, these desires should be woven with Ḍharma, which then will result in our progress and upliftment, and eventually evolves to a state where one fully overcomes the desire and climbs up in one’s consciousness, such state is called as Vairagyam. Hence Janaka suggested Sage Shukabrahmā enter Gruhastu Ashram.

Another vital aspect of weaving desires with Ḍharma is its result, which is called Artha, meaning Kama in line with Ḍharma results in Artha (meaningful outcome), that Artha can be in the form of a Son or a Daughter, in other words, a specific kama (like attraction towards opposite sex) merged with Ḍharma (through vivaham/marriage) gives the potential to becoming a parent and hence releasing oneself from Pitru Runa, (‘Pitru’ = father and ‘Runam’ = debt). Every person has a debt towards one’s father to have received the opportunity to exist in this upaadi. This debt will get paid when one becomes a father oneself and performs ‘sa-chela snanam’ (holy bath performed upon becoming a father).  Hence proving that such a kama results in the progression of one’s family and legacy.

Then why in few cases desires and emotions lead to blemish or harm? It’s for those who act on their desires without consequence towards one’s Ḍharma, those who don’t gain the understanding of the significance of Ḍharma from exploring Shastra(m) and those who act devoid of faith in īśvara will face such blemish in life. Let’s take an example, many households use knives in their kitchen for cooking, just by having such sharp objects, are they leading to injuries and suffering every day? As long as such tools are consciously safeguarded understanding the environment of the house (like having children), then such tools will not result in harming anyone. The same scenario applies to many such objects in our lives, like fire or electricity, its negligence towards proper usage and proper safeguarding that leads to harmful situations, in the same way, Kama is not the culprit, it’s our inability and negligence towards Shastra and the concept of Ḍharma that leads to unpleasant outcomes. Please note, there lies a difference in possessing such tools that help our daily livelihood versus those which are actual weapons that are not a part of our daily household usage.

From the above content, īśvara is sharing a crucial message on how a man can gain happiness, reach higher plains of consciousness, and have the final question emerge within. That question is to realize and ask if these desires and emotions are real, compared to The supreme bliss (Brahmānandam), in other words, to achieve Vairagya leading to Moksha. The important thing for a man is to cherish all the desires that are in line with the Vedic (Shastra) in respect to the Ḍharma of the ashramam, leading to happiness (like getting married, love, having children, prosperity, fame, serving one’s parents and Guru and receiving their constant blessings and more). It’s a misconception that Shastra suppresses desire, it doesn’t, it only assimilates them based on time and in a fashion that will beneficial to us. Ultimately reaching a state where one realizes the flavor of the supreme bliss, that supreme bliss can only be found by worshiping the feet of the Divine Mother which is unprecedented compared to any other desires or emotions in life. A state also is known as ‘Punaravruthi Rahita Shiva Saahidhya’. It’s a widely expressed misconception that life in a Gruhast Ashram (Married stage of life) is to be avoided, as it is the cause of many attachments and sufferings. That notion is completely false because many distinguished devotees like Prahlada went into Gruhast Ashram, Rishi Vyasa, Poet Pothana, King Janaka, Rishi Gautama, and many more.


Pardhana sloka from :ārvatī/durga/navdurga-brahmacharini.html

File:Mariage of Shiva and Parvati (Meenakshi) witnessed by Vishnu, Meenakshi Temple, Madurai (2) (36857653813).jpg

Above content is a conscience translating of Guru Sri Changanti Koteswar Rao Gari Pravachanam, can be found at (part 7,8,9,10):

Images sources: